Lord of Warchalking - Transcript

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equipment here in the studio, here are pro-tools to produce the Net Music Countdown show and entering the Podcast and our broadcast automation system takes care of playing the elements that make the Personal Netcast Podcast so easy to deal with and to listen to. And you know it*s 10 minutes long, I hear Adam Curry talking on his Podcast of Daily Source Code now about chunks of 20 minutes at a time. I am not sure where he is getting his research, I am not sure where I mean I made the Personal Netcast about 11 minutes long specifically because of research that have been done on America Online about how long it takes the average user before they are interrupted, not necessarily how long their knits are, how long you know they how much free time they have but how long before they are interrupted. So as you sit down on your computer or you sit down to enjoy a session with your iPod or however you hear the show listen through the website or whatever A well did it study to see how long it would be before you were in fact interrupted in what you are doing. And so that sort of place for me so that I can determine what length to make the Podcasts. So I don*t know about this 20, 40, 60 stuff but hey whatever works for him works for him. And by the way those who have been tracking that Adam Curry is ignoring me Saga. He*s never returned any of my phone calls, never returned any of my Emails. His partner Ron Bloom actually asked Lily when we tried to book them on the show. Who are you? How many listeners do you have? You know 8 million whatever. So now the synopsis thing if I don*t do a live show I don*t do the Personal Netcast The Net Music Countdown Podcast can be done anytime Friday or Saturday there is a new one up right now by the way www.feeds.feedburner.com/nmc. But the synopsis Podcast has to be done every night come hell or high water Sunday night through Thursday night. And it has to be acquired, the script is acquired via Email. And then I record the Podcast and send it back to Raw Audio the Raw Voice Audio where she then does some close work on it and puts it up. So what I had to do was try to mimic as closely as possible the real reach vibrant full fidelity sound that I have here in the studio no matter where I am, if I am on the road, if I am in Las Vegas, if I am at a conference, if I am visiting my family whatever it is, I need to be able to do that. So what I decided to do was to get felt safe with the whole thing. I could use the typical Podcasting set up which is you know the I River 799T little tiny flash recorder records beautifully, full fidelity, no problem using my favorite Audio-Technica mike, the Audio-Technica ATR25 or if I want to walk around with the Lavaliere, the ATR35 both are about 30 bucks the IRiver is about a $160. And by the way you can get this off the website www.podcastdesign.com. But in this case I wanted to also that*s like my worst case scenario because it*s all battery operated, battery power not a problem and I can do it you know with minimal room noise. But you know the quality of the microphone is okay. It*s not great, certainly not the quality of some of the microphones I ordered this week from PC Connection these Logitechs and this Koss and this one Plantronics, I mean you know what I was looking for was a real straightforward solution, a headset that has the USB plug on it rather than the 2 mini plugs, the input and the output plugs, so that I could plug into my 12* Powerbook and just use the headset. And I did that. I recorded it and it sounded worst than the worst cell phone call. I mean I could tell that it was coming off the boom headset. But it was horrible, it was just horrible so that wasn*t going to work. I wanted full fidelity. I want broadcast quality. So I have always covered it the Countryman microphones, these are just little tiny thin microphones, these boom microphones that fit over your ear and it*s like a little hairline wire that comes out along your cheek and then at the end of it

[Transcriptions provided by Datalyst]

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