[Transcriptions provided by Datalyst]
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David Lawrence: Well okay I wasn*t go to go there but alright fine I don*t think it's the matter of trusting Sony. Sony you use their software and you thought well that would be it and I will be fine. But I wouldn*t throw away my CDs just yet. I mean we have talked about this before and it's you don*t want to throw away the CDs just because you are able to put them into a format like even in loss less format you know that the Apple offers or that Windows offers you don*t want to do that. You want to make sure you can always get back to the CD and re-encode then because over time the formats are going to change that*s as given. They are going to get smaller they are going to get better quality and you are not going to want to transcode. You are not going to want to go from you know what is already a lousy format like A track like any of them are to another lousy format because you are going to be working from poor quality than the original CD. So always save your CDs but having said that now you are kind of stuck so what you do and the thing to do is to convert everything to mp3 and use that as your main format and you want to make sure that you are doing in mp3 in at least one set of mp3s in the highest bit rate possible. And that is usually 360 or 320 I think it's 360. 256 will work but you know more sound you probably can*t hear it but more sound in the higher bit rate. 256 is what I use here on the air. So once you get everything into that format then you can go and put them out on the real in the mp3 as well. And that*s where I think you are common and then you take that mp3 you can also put it on the laptop put it on the desktop when you can use any sort of sinking software to sink the directories among them. I don*t think there is any one piece of software that*s going to do all this for you but to settle on a format is going to be the first step and I would suggest you that format be mp3 only because it's transportable.
Eric: What are your favorite leading manager?
David Lawrence: Alright hold on one second we will take a break come back.
[Transcriptions provided by Datalyst]Hour 1 | Hour 2: << previous |1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | next >> | Hour 3
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After a 30 year career on radio in markets from New York to San Francisco to satellite and network, David H. Lawrence XVII decided to make a change. He hung up his headphones and retired from hosting 3 network/satellite radio shows to head to Los Angeles, to concentrate solely on acting in front of the camera.
Lili VonSchtupp* needed a fresh start. She moved to Washington DC and got her dream job. "I did affiliate relations for Online Tonight with David Lawrence. I slowly worked my way into the producer's chair by impressing David with my assets. (not those assets), my ability to make a CAT5 cable Ethernet cable, type (those of you in the chat room-shut up!) and work a phone system.
